The Keir Choreographic Award (KCA) is a national biennial award dedicated to commissioning new Australian choreographic short works and promoting innovative, experimental and cross-artform practices in contemporary dance across Australia and internationally. The Keir Choreographic Award aims to expand the profile and debate around choreographic practice in Australia.
One of Australia’s most prestigious choreographic awards, the recipient of the KCA will receive $50,000. Professional artists with an established practice are encouraged to apply by 14 July 2019. The Keir Choreographic Award jury, featured below, will assess the applications and eight short-listed works will be provided with commissioning funds to realise their idea in March 2020.
Presented by Carriageworks, Dancehouse, The Keir Foundation and the Australia Council for the Arts.
Presented by Carriageworks, Dancehouse, Keir Foundation and Australia Council for the Arts.
Paola Balla is a Wemba-Wemba and Gunditjmara woman. Artist, curator, writer, lecturer and current PhD candidate at Victoria University. Paola lectures with Moondani Balluk Indigenous Academic Centre with recent curatorial projects include Sovereignty, ACCA, (2016) Unfinished Business, perspectives on art & feminism, ACCA (2017). Paola recently presented First Nations Dialogues at Performance Space New York. Paolais a member of the jury for KCA 2020.
Serge Laurent has had curatorial roles at the Dijon dance festival, Printemps de Cahors Festival and the Centre Pompidou, before he was appointed Director of Dance and Arts programs at the Maison Van Cleef et Arpels. Serge is a member of the jury for KCA 2020.
Mette Edvardsen is a choreographer and performer. Although some of her works explore other media or other formats, such as video, books and writing, her interest is always in their relationship to performance as a practice and a situation. A current research fellow at Oslo National Academy of the Arts and associated artist at Black Box teater in Oslo. Metteis a member of the jury for KCA 2020.
A member of the Japanese multimedia performance company Dumb Type, Takao Kawaguchi's latest works include: TOUCH OF THE OTHER (2015) and solo dance BLACKOUT (2018). Takao is a member of the jury for KCA 2020.
Claudia La Rocco
Claudia La Rocco’s work explores hybridity and improvisation, moving between criticism, poetry, fiction, and performance. Her books include the selected writings The Best Most Useless Dress (Badlands Unlimited) and the sf novel petit cadeau (The Chocolate Factory theater). She was a critic and reporter for The New York Times from 2005-2015 and is Editorial Director of SFMOMA’s interdisciplinary commissioning platform Open Space. Claudia is a member of the jury for KCA 2020.